consolidated readings

(in magenta: those we have yet to discuss)

handout: “Provisional Painting,” by Raphael Rubinstein

handout: "A Case of Cultural Criticism" and "The Contest between Chanel and Courreges. Referred by a Philosopher" by Roland Barthes' The Language of Fashion,

handout: "Why Write Novels at All?" by Garth Risk Hallberg

Jerry Saltz on Morley Safer's Facile 60 Minutes Art-World Screed
http://www.vulture.com/2012/04/jerry-saltz-on-morley-safer-60-minutes-art-world.html?imw=Y

Education's Hungry Hearts, Mark Edmundson
http://mobile.nytimes.com/article?a=933320

Daniel Birnbaum, review: Painting in the Expanded Field, 1997
http://findarticles.com/p/articles/mi_m0268/is_n6_v35/ai_19353260/

Michelle Grabner, review of Painting at the Edge of the World, 2001
http://www.frieze.com/issue/review/painting_at_the_edge_of_the_world/

handout: Hal Foster, "The Expressive Fallacy"

• Mira Schor's "Should We Trust Anyone Under 30 (x)"; from her blog A Year of Positive Thinking
http://ayearofpositivethinking.com/2011/06/20/should-we-trust-anyone-under-30-with-some-excerpts-from-recipe-art-and-other-essays/

• Bob Nickas' "Komplaint Dept. Richard Prince Vibration Yeah!"; from this month's Vice Magazine
www.vice.com/read/komp-laint-dept-richard-prince-vibration-yeah

first draft of my own writing (started Saturday upon reading Nickas's writing)
"Some Complaints: On Komplaint Dept Richard Prince Vibration Yeah!"

Apropos Appropriation
http://www.nytimes.com/2012/01/01/arts/design/richard-prince-lawsuit-focuses-on-limits-of-appropriation.html?pagewanted=all

Appropriation in Context
http://www.studentpulse.com/articles/546/appropriation-in-contemporary-art

handout: TJ Clark, section of The Sight of Death